Conductor

Sebastian Lang-Lessing

Evangelist

Donát Varga

Jesus

István Kovács

Soprano

Gabriella Fodor

Alto

Atala Schöck

Tenor

István Horváth

Bass

Marcell Bakonyi

 

Conductor

Sebastian Lang-Lessing

Evangelist

Donát Varga

Jesus

István Kovács

Soprano

Gabriella Fodor

Alto

Atala Schöck

Tenor

István Horváth

Bass

Marcell Bakonyi

 

Conductor

Sebastian Lang-Lessing

Evangelist

Donát Varga

Jesus

István Kovács

Soprano

Gabriella Fodor

Alto

Atala Schöck

Tenor

István Horváth

Bass

Marcell Bakonyi

Oratorio in two parts, in German

 

The Saint Matthew Passion is Bach’s greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach’s death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach’s birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.

Conductor: Gábor Csiki
Evangelist: Zoltán Megyesi
Jesus: István Kovács
Soprano: Gabriella Fodor
Alto: Atala Schöck
Tenor: Ninh Duc Hoang Long u.s.
Bass: Marcell Bakonyi
Credits:
Director: Géza M.Tóth
Visual design and animation: Tibor Nagy, Miklós Gerdelics, Antonin Krizsanics, Balázs Fekti, Géza M.Tóth
Consultant: Zsolt Czakó
Chorus director: Gábor Csiki
Featuring: Hungarian State Opera Chorus

 

Oratorio in two parts, in German

 

The Saint Matthew Passion is Bach’s greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach’s death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach’s birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.

Conductor: Gábor Csiki
Evangelist: Zoltán Megyesi
Jesus: István Kovács
Soprano: Gabriella Fodor
Alto: Atala Schöck
Tenor: Ninh Duc Hoang Long u.s.
Bass: Marcell Bakonyi
Credits:
Director: Géza M.Tóth
Visual design and animation: Tibor Nagy, Miklós Gerdelics, Antonin Krizsanics, Balázs Fekti, Géza M.Tóth
Consultant: Zsolt Czakó
Chorus director: Gábor Csiki
Featuring: Hungarian State Opera Chorus

Oratorio in two parts, in German

 

The Saint Matthew Passion is Bach’s greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach’s death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach’s birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.

Conductor: Gábor Csiki
Evangelist: Dávid Szigetvári
Jesus: István Kovács
Soprano: Gabriella Fodor
Alto: Atala Schöck
Tenor: Zoltán Megyesi
Bass: Marcell Bakonyi
Credits:
Director: Géza M.Tóth
Visual design and animation: Tibor Nagy, Miklós Gerdelics, Antonin Krizsanics, Balázs Fekti, Géza M.Tóth
Consultant: Zsolt Czakó
Chorus director: Gábor Csiki
Featuring: Budapest Studio Chorus

Oratorio in two parts, in German

 

The Saint Matthew Passion is Bach’s greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach’s death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach’s birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.

Conductor: Gábor Csiki
Evangelist: Dávid Szigetvári
Jesus: István Kovács
Soprano: Gabriella Fodor
Alto: Atala Schöck
Tenor: Zoltán Megyesi
Bass: Marcell Bakonyi
Credits:
Director: Géza M.Tóth
Visual design and animation: Tibor Nagy, Miklós Gerdelics, Antonin Krizsanics, Balázs Fekti, Géza M.Tóth
Consultant: Zsolt Czakó
Chorus director: Gábor Csiki
Featuring: Budapest Studio Chorus